![]() ![]() Construction of the main building lasted from 1961 to 1964. The final drawings were ready in January 1955. The design for the main building was eventually completed. The archaeology of space exploration (Alice Gorman. Docent Panu Nykänen believes that the dispute centred on the question of whether architects owned the artistic rights to the buildings they designed. The Space Race and Soviet Utopian Thinking (Iina Kohonen, University of Art and Design, Helsinki). The dispute was personified in the rift between Aalto, Chair of the Finnish Association of Architects, and Lappi-Seppälä. There was a dispute between the Finnish Association of Architects and the Finnish National Board of Building, the so-called architectural schism that lasted from 1954 to 1957. Lappi-Seppälä has suspected that Aalto’s reaction was also fuelled by the disagreement between Aalto and himself (see Lappi-Seppälä 1972, p. ![]() ![]() It appears that the incident was caused by conflicting artistic and financial views (see Nykänen 2007, p. The incident has been recorded in the notes of architect Jussi Lappi-Seppälä who had at the time recently become the general manager of the Finnish National Board of Building. The rumour goes that Bryk vowed he would strike the next blow, but Aalto left the meeting before he could do so. and a new member of TKK’s advisory committee. Iina Kohonen Biography Mini Bio (1) Iina Kohonen is known for Laika, Lada, Marx ja mä (2019). When these cutbacks and finishing the designs were discussed in a meeting with TKK’s advisory committee in November 1954, Alvar Aalto, who was responsible for the design of the building, lost his temper.ĭuring the meeting, Aalto apparently boxed the ears of Petri Bryk, mining counsellor and managing director of Outokumpu Ltd. In Picturing the Cosmos, drawing on a comprehensive corpus of rarely seen photographs and other visual phenomena, Iina Kohonen maps the complex relationship between visual propaganda and censorship during the Cold War. The poor economic situation took its toll on the construction budget of the main building and the design had to be toned down. The university council of TKK tasked Aalto’s architectural firm to draw the architectural sketches for the main building block without an open architecture competition, which caused resentment among the architectural community. Space is the ultimate canvas for the imagination, and in the 1950s and 60s, as part of the. Alvar, his new wife Elissa and Rector of TKK Martti Levón set to work. In August 1953, the Ministry of Trade and Industry decided that the design of the main building of TKK was a top priority. yle.fi, in Finnish).Īlvar Aalto continued to work on the land use plan of Otaniemi based on the winning proposal. While the competition was still in progress, Aino died of cancer (see e.g. The winning entry, designed by Aino and Alvar Aalto, was entitled “Ave Alma Mater, Morituri Te Salutant (”Alma mater, the dying salute you”). The competition was open to all members of the Finnish Association of Architects. ![]() In January 1949, an architectural competition concerning a plan for the state land in Otaniemi was announced. These engineers were meant to serve the growing industry and technological research sector (see So it was that, in 1948, the decision was made to move the university from its small quarters in the district of Hietalahti in Helsinki to a more spacious area in Otaniemi, Espoo. “The Current Generation of Soviet People Will Live Under Communism”Ī Modern Space Heroine- and a Cosmic Love StoryAfter the Second World War, the Helsinki University of Technology needed more space, because Finland needed more engineers. Across five heavily illustrated chapters, Picturing the Cosmos navigates and critically examines these utopian narratives, highlighting the rhetorical tension between propaganda, censorship, art, and politics. Soviet cosmonauts, meanwhile, were depicted as prototypes of the perfect Communist man, representing modernity, good taste, and the aesthetics of the everyday. The USSR mapped and named the cosmos, using new media to stake a claim to this new territory and incorporating it into the daily lives of its citizens. Kohonen ably examines each image, elucidating how visual media helped to anchor otherwise abstract political and intellectual concepts of the future and modernization within the Soviet Union. The keynote speakers this year will include Adjunct Professor Iina Kohonen (Finnish National Board on Research Integrity), Tiina Mahlamki (University of. In Picturing the Cosmos, drawing on a comprehensive corpus of rarely seen photographs and other visual phenomena, Iina Kohonen maps the complex relationship between visual propaganda and censorship during the Cold War. Space is the ultimate canvas for the imagination, and in the 1950s and ’60s, as part of the space race with the United States, the solar system was the blank page upon which the Soviet Union etched a narrative of exploration and conquest. ![]()
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